Wip Chair by Khodi Feiz


Khodi Feiz has designed a chair in polystyrene foam(EPS) for a project called NL-Lounge. Feiz investigated the possibilities of wire cutting to achieve a 3D form with only two 2D cuts in different directions.


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06:53
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"Exciting, visionary and innovative design has always been the product of new materials and technology."
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Designed by patricia urquiola for kartell, the t table was a giant hit in milan. manufactured in durable PMMA. the surface of the table is reminiscent of embroidery, resulting in a product that is functional and extremely decorative.patricia urquiola was born in 1961 in oviedo, spain. she studied architecture at the faculdad de arquitectura de madrid. after transferring to italy she graduated from the milan polytechnic in 1989 from 1990 to 1992 ."More than talking about my style, I prefer to talk abouta method of working.Im interested in behavior structures, artisan techniques,certain aspects of memory... aspects of my life." urquiola said.
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12:55
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The stool is based on the principle of skipjack.Therefore it offers dynatic compined with fun and esprit.
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Italian manufacturer Poliform presents Manta, the companys new contract chair designed by Rodrigo Torres. Made of flexible polyurethane resin with an internal metallic structure and upholstered with fine Italian leather. The result is a graceful and delicate aesthetic that marries perfectly the company’s attention design and quality.
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The OSTEOGENETIC CHAIR addresses these issues. Similar to the structure of bones, one single material is used for its outer solid shell and the internal micro grid. Not only does the design follow the distribution of forces on the outside, but also internally. The supporting 3D grid alters, depending on the required strength at each individual location. Therefore, minimum use of material and weight is guaranteed. Contemporary rapid manufacturing technology opens the gate to such new concepts that were previously not able to be manufactured
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21:12
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The idea behind the OW1 stool manipulates the simple form of the obi and transforms it into diverse and complex objects.
There can be complexity in simplicity. Masayuki Sato designs things that obey the theme of “containing complexity” by adding simple touches and treatments to simple forms. He believes this gives the object diversity, clarity, logic and profundity at the same time. For the design of the OW1 stool, he adopted the idea of a single element – a felt sheet shaped like an obi (a simple, traditional Japanese belt worn with the kimono). He saw the potential in this simple rectangular object to be shaped into various kinds of configurations and to be functionalised, just like origami. The form of OW1 serves to satisfy structural requirements at the same time.
The felt obi can be made structural by “filling it” with resin. Wire mesh placed inside the felt obi enabled the creation of shape without the use of any mould. With this method of forming and making organic-shaped objects, the use of moulds (which are usually expensive for small production runs) can be avoided. Various shapes can be made with this method. OW1 is just one of the possible outputs. The obi-shaped felt was manipulated within the restrictions of its rectangular-shape. Incorporating a sense of simplicity and spirituality into the design, both ends of the obi were pressed together, like the way we press our hands together in prayer. With resin inserted, the felt obi is stiff enough to support the weight of the body, while maintaining its soft surface texture. This dichotomy is interesting and reminds us that the stool is made of fabric. We can say that OW1 is both a hard and soft stool.
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